The study proceeds with the hypothesis that the modern love poet's synesthetic imagery is an impressive representation of Kant's aesthetic axioms as encoded in his Critique of the Aesthetic Judgment. It aims at investigating Kabbani's poetic imagery in its amorous-erotic aspects. The study aims at exploring the development of the notion of beauty as structured in the modern Arab poetic works. The poet who creatively used the poetic image to express his aesthetic vision is Nizar Kabbani (1923-1998). This universal truth is encoded in poetic image. If poetry is the verbal art of beauty, and beauty is truth, then, poetry has its own truth which is universal by nature since the poetic patterns embody a particular vision of the universe.
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